Snargate Street
Dover
I'm not sure whether this is being confused with the "Clarence
Hotel" at 39 Council House Street, but I am pretty sure that was under
control of George Boorman between 1891 and 1899, so C Stewart seems to
overlap here, I have only found this mentioned the once in the 1895 Post
Office Directory, although that didn't mention it as being an Inn or Hotel
so will assume this is another pub for the Snargate Street list.
However, there was also "Royal Hotel" at
Clarence Place from 1844 to 1950 and another "Royal Hotel" mentioned in Snargate Street in 1863.
Further research has turned up this mention in the Dover Express of 1876
and 1877.
From the Dover Express and East Kent Intelligencer,
10 March, 1876. Price 1d.
THE THEATRE
A license for theatrical performances at the "Clarence Theatre" was
granted to William Meredith, the new proprietor. In future the house is
to be called the "Gaiety."
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From the Dover Express and East Kent Intelligencer,
9 February, 1877. Price 1d.
ROYAL CLARENCE THEATRE
An application was made by Mr. George Ware for permission to draw at
the above place of amusement, in Snargate Street.
Several testimonials, handed in by the applicant, were read.
Dr. Astley said there was no certificate amongst the number of recent
date.
Mr. Ware said that accounted for his having been to America three
years. he came back last August and had been travelling through the
country with his own concerts.
Dr. Astley: Is it your intention to give up travelling with these
concerts?
Mr. Ware: Yes, sir, I have taken a lease of the house for seven
years. I am going to reside here and take it personally.
The bench said though the applicant had no testimonials of recent
date under the circumstances of his having been out of the country they
would grant a special license and remind him that he must be careful to
see that the house was conducted properly.
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From the Dover Express and East Kent News, Friday, 26 March, 1886. Price 1d.
ROYAL CLARENCE THEATRE
The management of this Theatre having been assigned by Mr. Charles
Stewart who, as a baritone vocalist, is well-known in Dover – that
gentlemen has put forward a powerful bill of fare for the re-opening,
which takes place on Monday evening next. The Company engage embraces
almost every line of business I the music hall profession, and the huge
programme set forth presents a combination rarely to be met with in a
provincial music hall, which it cannot fail but to give satisfaction to
the most voracious amusement seeker.
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From the Dover Express and East Kent News, Friday, 9 April, 1886. Price 1d.
ROYAL CLARENCE THEATRE
Despite the many drawbacks with which Mr. Stewart has had to contend
with in connection with this theatre, - not to mention the other counter
attractions – he continues to hold his own, and this week has again
provided a company which embraces a great variety of talent. The bill is
headed by Mr. P. Raymond, a vocal comedian of first-class merit, who has
been well received. Among other clever entertainers are Miss A.
Chantrell, a serio comic and dancer of more than average ability; Mr. W.
Hicks, negro comedian, who in conjunction with his dog Prim causes great
amusement; Muiss J. Renforth, a charming serio-comic; and Miss E.
Massey, whose rendering of several ballads was rewarded with
enthusiastic applause. Townsend and Josephine, with their clever
daughter, go as well as ever, as does also Mr. P. Carman, topical
vocalist; while Mr. Tarlton, negro comedian, Mr. F. Mildmay, and Mayot's
Minstrels came in for a large share of applause.
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From the Dover Express and East Kent News, Friday, 16 April, 1886. Price 1d.
ROYAL CLARENCE THEATRE
Another success has been achieved at the above place of amusement during
the past week by the engagement of the celebrated Ted Jarratt and his
clever pantomime troupe, who on Monday evening made their first
appearance in Dover. The troupe comprised Mdlle. Zante, Mdlle. L'zette,
Mr. A. Bishop, Mr. T. French, and Mr. Ted Jarratt, who appear in a comic
ballet entitled “Zeph,” which is full of genuine fun, keeping rhe
audience in roars of laughter. They also appear in a comic sketch
entitled “The Two Hunchbacks,” in which they are also successful in
invoking hearty merriment. The patrons of the house are really indebted
to Mr. Stewart for the treat he has afforded them by this excellent
engagement, and it is pleasant to record that in his efforts to cater
for the Dover public he receives a large measure of support, as is
sufficiently testified by the crowded audiences which have assembled
each night. Among the other new comers this week are Little Jess Vale,
whose Dutch character singing, and acrobatic dancing fairly brought down
the house; Miss Maud Manchester, a juvenile serio-comic and dancer of
rare abilities, and Mr. Harry Archer, a good song and dance artist. Mr.
Phil Raymond still continues in favour as a vocal comedian, his
appearance and style being exceptionally good, while the spirit with
which his songs are rendered invariably secures for him several recalls.
Praise id due for the really finished rendering of several ballads by
Miss WE. Massey, while the piquant style of Miss J. Renforth hits the
taste of the audience. Mr. Will Hicks, now in his second week here, is
as much appreciated as ever, his concertina playing being received with
great applause, while his funny sayings and doings with dog Prim keeps
the audience in continual merriment.
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From the Dover Express and East Kent News, Friday, 10 September, 1886. Price 1d.
DISORDERLY CONDUCT
W. H. Hudsmith was summoned for disorderly conduct and refusing to quit
the “Clarence Theatre” when requested to do so.
On the application of Mr. Mowll, the case was withdrawn on defendant
paying the costs.
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From the Dover Express and East Kent News, Friday, 22 July, 1887. Price 1d.
ROYAL CLARENCE THEATRE
It must be highly gratifying to Mr. Stewart to find his efforts to
provide a first class entertainment so literally acknowledged by the
public, as is shown by the continual increase in the audience. The
programme for the week is well up to the mark, and contains talent of
various kinds.
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From the Dover Express and East Kent News, Friday, 7 October, 1887. Price 1d.
LICENSES FOR THEATRICAL PERFORMANCES
CLARENCE THEATRE
Mr. Mowll applied on behalf of Mr. Wellsford, of the Dover Brewery
Company, for the renewal of the license for theatrical performances at
the “Royal Clarence Theatre,” Snargate Street. The hall when filled held
450 persons, and there were six exits from the theatre, five of which
went into the street. The Surveyor had inspected the premises, and water
was being laid on. There was a man in attendance on every occasion.
The Chairman said they had carefully considered the applications and had
decided to re-visit the “Clarence Theatre” with a view of making sure
that all the precautions had been carried out and that the place was
safe. They would grant a temporary license for fourteen days.
It was decided to inspect the theatre this morning (Friday) at 10.a.m.
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From the Dover Express and East Kent News, Friday 11 May, 1888. 1d.
THE CLARENCE THEATRE ENLARGEMENT
We hear that Messrs. Beer and Co. intend enlarging the Clarence Theatre,
and by pulling down the adjoining public house, which is also their
property, opening a cross-cut from Snargate Street and Northampton
Street. Midway down this cross avenue, it is proposed to open a two
faced bar on one side opening to the passage, and the other to a saloon
which will command a view of the performance in the Theatre.
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From the Dover Express and East Kent News, Friday 21 May, 1886.
THEATRICAL LICENSE
Mr. E. W. Spain applied on behalf of the Dover Brewery Company for the
theatrical license of the “Royal Clarence Theatre” to be transferred
from Mr. Bacon to Mr. George Alfred Pitcher, cashier to the Dover
Brewery Company, Mr. Bacon being no longer connected with the firm.
Messrs. Elvey and Stimpson were the sureties.
Robert Victor Elvey, of the Dover Brewery Company, said: On February
26th the theatrical license of the “Clarence” was granted to Mr. Bacon,
who was then traveller to the Company. The license was granted for seven
months. He is no longer traveller for the firm. Mr. Bacon signed the
transfer paper produced. We have kept the licence in the office.
Mr. Saunders, Superintendent of Police, said that Mr. Bacon told him
that he wished to get rid of the responsibility of the theatrical
performance, and wished the license to be transferred.
There appeared to be some technical point as to the proper signing of
the transfer, and the Magistrates adjourned to their room to consider
the matter.
After an absence of nearly an hour, the Magistrates returned into Court,
and the Chairman said that they had given the matter their due
consideration, and had decided that it would be better for the license
to be granted to a member belonging to the firm.
In answer to Mr. Spain, Mr. Stillwell said that the license was not yet
expired, and therefore Mr. Bacon was the responsible person.
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George Ware is also mentioned at the Gaiety Theatre in 1877, which I
believe was the forerunner to the "Royal
Hippodrome" and changed name to Gaiety Theatre in 1875 from the "Clarence
Saloon" and that certainly ties up with the names.
Before becoming the "Royal Hippodrome"
the premises would have again changed name to the "Tivoli
Theatre" in 1896.
LICENSEE LIST
MEREDITH William Feb/1876-77
WARE George Feb/1877-May/79
(Clarence)
MANSFIELD George May/1879-82+
(age 40 in 1881)
THURLOW James E July/1885+
BACON J W to Feb-May/1886
LILY Mr May/1886-Oct/87
SOUTER Mr E Oct/1887-88
WRAIGHT G F to Nov/1888+
STEWART Charles Nov/1888-95 (age 40 in 1891)
From Pikes Dover Blue Book 1895
From the Dover Express
Census
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